There
are many repeated arguments and innovations that are happening in the
entertainment industry, in general. People blog and bicker about film-reliant
equipment switching over to digital to get rid of the dark age of cinema
completely. This is happening everywhere along with copyright and piracy, but
there a lot more interesting things going on with the new age of film.
There
is a small revolution of style coming from directors like Wes Anderson and
Jonathan Dayton. The Indie era is upon us, and its baggage is more psychological
horror than before. Little
Miss Sunshine (2006), directed
by Jonathan Dayton only showed the beginning signs of this detached style. The
article that talks about this movie – 10 Wes Anderson-Like Movies Not by Wes
Anderson – points out certain aspects of the film like the charming,
dysfunctional family with a turn-table moral to the story after a touching
journey. There is a new hybrid that is a blend of horror and indie that have a
very special relationship. A 2004 Issue of DGA Magazine published an article
that talks about the directors – some being Guillermo de Toro, Wes Craven and
John Carpenter – that broke through the stereotype to give it a different feel.
According to Guillermo, “horror and surprise are very different”. For him, he
is evolving the modern horror scene by introducing terror that goes beyond “dread
and menace” as Guillermo describes it. This change gives the audience the
element of surprise and absolute fright without limitations. Having started the
process of working on a show that is being worked on personally, the
differentiation between horror and terror would play a big part in the suspense
theme that my director and I have chosen.
Innovation
has always been within any industry to help people think outside the box and be
semi-original. There are many different methods to go about doing this, one
example of how to pull off a beach set indoors is truly amazing. Anyone can
dump sand into a room, let’s be honest, but you have to think about the big
picture. A Swedish director by the name of Roy Andersson built a fairly
convincing and realistic beach scene within a soundstage. Not to mention that
this method could also be the cheapest or at least save you a good amount of
money. A
Pigeon Sat on a Branch Reflecting on Existence, is a piece with the
particular beach setting and there is even a video provided that shows the
grueling process that was totally worth it in the end. Batman
Begins had one of the largest indoor sets that anyone could create. The
monastery where Bruce Wayne has a battle with Henri Ducard and his ninjas,
possesses elements that would definitely convince viewers who have not seen an
actual monastery, and those who have, that it could be an actual location. The
reason why these beach and monastery settings were so believable ties into a
different subject – detail. Having said that, when you are in possession of
some very complex characters, the spaces they occupy like their rooms or places
of study will take a huge amount of thought in how you would like your audience
to perceive them without a line being spoken by the actor.
The
little things matter, is what we learn from npr.org that features an article
emphasizing on ‘Tiny
Details Count’. The indoor beach set that was previously mentioned had
small elements that not just anyone would think to include. There were fans
that were set up inside to give the illusion of a breeze passing over during a
normal day, and if you look real closely, those buildings off in the distance
are really miniatures. Miniatures are very fun to work with, especially if you
are playing with your camera placement and angles. There is only one more
thing, the sky is fake as well. Without having to fight for location permits,
and racing against the sun to get the perfect shot, your lighting will remain
consistent if that is what you desire for this method. Not to mention that
going along with miniatures and fabricated backgrounds helps directors and
production designers to encase their audience in a world of their own; it’s
something that the viewer can take home with them that nobody has ever showed
them before. Getting
the Design Details Just Right, is an article that discusses the
production design for various shows that were popular in 2015. The meticulous
details for the show Gotham are
intriguing, taking into account that Gotham is a place of fiction and crime.
Like many other movies and shows, elements are taken from actually locations
and altered to help fit in to their new space during filming to separate the
story from the real world. Certain situations call for different design
elements and tactics as displayed in one episode of Gotham where the Penguin took a bath in his mothers’ eccentric tub.
The tub is what made the room one of its own as it stood proud in the middle of
a bedroom, which is what you don’t normally see but it showed you just how
messed up Penguin is ‘upstairs’.
One
set that will continue to amaze for generations among many other famous ones
would have to be Hogwarts
School of Witchcraft and Wizardry from Harry Potter. To be able to capture
that amount of magic that the brilliant book series held required an immense
amount of work to go alone with it. Miniatures have been used for movies like
Alien, Lord of the Rings and Ghostbusters but as time goes on, the amount of
detail and thought that goes into each square inch of the miniature is
meticulous. This isn’t elementary school anymore; 40 people over the expanse of
seven months worked day and night on the Hogwarts miniature that will show up
60 x 50 x 30 ft high on a 1:24 scale. Masterful
Miniatures, published in 2012 by Big Picture Magazine, is an article that talks
about the epic film Metropolis
directed by Fritz Lang that utilized miniatures to achieve the futuristic world
that doesn’t exist yet. The design team of Metropolis
used models, matte paintings and miniatures to strike the audience across the
face with a futuristic take on canyon-like streets between towers.
Having
understood and researched the impact that miniatures and locations have on
successful movies has given a new perspective, especially on the budget. Not
every movie calls for a real location to be turned into something else to fit a
crew’s needs that costs thousands a day to work there. Being resourceful and
innovative in today’s day and age seems to pay off more and more with the
degree of thought that is put into it.
Hi Amber, I really enjoyed reading this post for quite a few reasons. I myself have never had an enormous interest in film and so haven't spent too much time educating myself on the intricacies of developing a "believable" setting. After reading this post I have a newfound respect for the amount of detail and effort that goes into developing these sets as well as the continued evolution of the industry as a whole. Considering what modern technology has enabled filmmakers to create thus far I'm looking very forward to seeing what the future of cinema has in store!
ReplyDelete